Bartje Bartmans Jacques Offenbach - Ouverture Orphe aux enfers (1858/1860)

🎯 Загружено автоматически через бота: 🚫 Оригинал видео: 📺 Данное видео принадлежит каналу «Bartje Bartmans» (@bartjebartmans). Оно представлено в нашем сообществе исключительно в информационных, научных, образовательных или культурных целях. Наше сообщество не утверждает никаких прав на данное видео. Пожалуйста, поддержите автора, посетив его оригинальный канал. ✉️ Если у вас есть претензии к авторским правам на данное видео, пожалуйста, свяжитесь с нами по почте support@, и мы немедленно удалим его. 📃 Оригинальное описание: Jacques Offenbach (20 June 1819 – 5 October 1880) was a German-born French composer, cellist and impresario of the romantic period. He is remembered for his nearly 100 operettas of the 1850s–1870s and his uncompleted opera The Tales of Hoffmann. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss, Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. The Tales of Hoffman remains part of the standard opera repertory. Please support my channel: Overture Orphée aux enfers (1860) orchestrated by Carl Binder (29 November 1816 — 5 November 1860) BBC Philharmonic conducted by Yan Pascal Tortelier The best-known and much-recorded Orphée aux enfers overture is not by Offenbach, and is not part of either the 1858 or the 1874 scores. It was arranged by the Austrian musician Carl Binder (1816–1860) for the first production of the opera in Vienna, in 1860. Offenbach’s 1858 score has a short orchestral introduction of 104 bars; it begins with a quiet melody for woodwind, followed by the theme of Jupiter’s Act 2 minuet, in A♭ major and segues via a mock-pompous fugue in F major into Public Opinion’s opening monologue. The overture to the 1874 revision is a 393-bar piece, in which Jupiter’s minuet and John Styx’s song recur, interspersed with many themes from the score including “J’ai vu le Dieu Bacchus“, the couplets “Je suis Vénus“, the Rondeau des métamorphoses, the “Partons, partons“ section of the Act 2 finale, and the Act 4 galop.