Elisabeth Schwarzkopf: Wagner - Lohengrin, ’Elsa’s Dream’
Dame Elisabeth Schwarzkopf, DBE (9 December 1915 – 3 August 2006) was a German-born Austrian/British soprano opera singer and recitalist. She was among the most renowned classical singers of the 20th century, much admired for her performances of Mozart, Schubert, Strauss, and Wolf. Olga Maria Elisabeth Friederike Schwarzkopf was born in Jarotschin in the Province of Posen in Prussia (today Poland) to Friedrich Schwarzkopf and his wife, Elisabeth (née Fröhlich). Schwarzkopf showed an interest in music from an early age. She performed in her first opera in 1928, as Eurydice in a school production of Gluck’s Orfeo ed Euridice in Magdeburg, Germany. In 1934, Schwarzkopf began her musical studies at the Berlin Hochschule für Musik. n 1933, shortly after the Nazis came to power, Elisabeth Schwarzkopf’s father, a local school headmaster, was dismissed from his position by the new ruling authorities for having refused to allow a Nazi party meeting at his school. He was also banned from taking any new teaching post. Until Friedrich Schwarzkopf’s dismissal, the probability was that the 17-year-old Elisabeth would have studied medicine after passing her Abitur; but now, as the daughter of a banned schoolteacher, she was not allowed to enter university and – fortunately for posterity – she commenced music studies at the Berlin Hochschule für Musik. In 1942, she was invited to sing with the Vienna State Opera, where her roles included Konstanze in Mozart’s Die Entführung aus dem Serail, Musetta and later Mimì in Puccini’s La bohème and Violetta in Verdi’s La traviata. In 1945, Schwarzkopf was granted Austrian citizenship to enable her to sing in the Vienna State Opera (Wiener Staatsoper). In 1947 and 1948, Schwarzkopf appeared on tour with the Vienna State Opera at London’s Royal Opera House at Covent Garden on 16 September 1947 as Donna Elvira in Mozart’s Don Giovanni and at La Scala on 28 December 1948, as the Countess in Mozart’s The Marriage of Figaro, which became one of her signature roles. In the 1960s, Schwarzkopf concentrated nearly exclusively on five operatic roles: Donna Elvira in Don Giovanni, Countess Almaviva in The Marriage of Figaro, Fiordiligi in Così fan tutte, Countess Madeleine in Strauss’s Capriccio, and the Marschallin. She also was well received as Alice Ford in Verdi’s Falstaff. However, on the EMI label she made several “champagne operetta“ recordings like Franz Lehár’s The Merry Widow and Johann Strauss II’s The Gypsy Baron. After retiring, Schwarzkopf taught and gave master classes around the world, notably at the Juilliard School in New York City. After living in Switzerland for many years, she took up residence in Austria. She was made a doctor of music by the University of Cambridge in 1976, and became a Dame Commander of the Order of the British Empire (DBE) in 1992...
Lyrics & English Translation
Lonely, in troubled days
I looked toward the heavens,
my most heartfelt grief
I poured out my longings.
And from my groans
there issued a plaintive sound
that grew into a mighteous roar
as it echoed through the skies:
I listened as it receded into the distance
until my ear could scarce hear it;
my eyes closed
and I fell into a deep sleep.
In splendid, shining armour
a knight approached,
a man of such pure virtue
as I had never seen before:
a golden horn at his side,
leaning on a sword -
thus he appeared to me
from nowhere, this warrior true;
with kindly gestures
he gave me comfort;
I will wait for the knight,
he shall be my champion!
A link to this wonderful artists personal website:
Please Enjoy!
I send my kind and warm regards,
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