A new and strikingly effective arrangement of a modern minimalist classic.
Canto Ostinato is a familiar landmark of modern Dutch art music. Known affectionately and simply as the Canto, it receives many performances each year in a plethora of arrangements, whether with the two or four pianos which Simeon ten Holt had in mind when he wrote the work in 1976, or performed by soloists and ensembles. This flexibility is inherent in the form of the piece. Ten Holt supplies a sequence of 106 rhythmic cells which may be repeated one or many more times, thus potentially creating a duration of one or many more hours. The simple and repetitive patterns blur the listener’s sense of time, which becomes space: space for the performers, space for creation, but also space for the listeners, space for imagination.
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