Through the Lens of Francesca Woodman (Part 1 of 2)

To learn more, visit Scholars and artists examined the relationship between the still and moving image in Francesca Woodman’s and other artists’ production during the 1970s, particularly as associated with Post-Minimalism, performance, and video. Using the framework of Woodman’s work, this series of brief talks and group conversations reconsiders artistic video in the 1970s, notions of time and space in Woodman’s work, and feminist practice during the transformative artist