Johann Michael Haydn (1737-1806) - Missa Sti Hieronymi à 4 Voci (1777)

Alles Gute zum Geburtstag Johann Michael Haydn! 🙏🏼💖 Composer: Johann Michael Haydn (1737-1806) Work: Missa Sti Hieronymi, à 4 Voci Conc:ti, 2 Ob: 2 Fag: 3 Tromboni, tutti oblig: con Organo (1777), MH 254 Performers: Miah Pеrsson (soprano); Katija Dragojеvic (alto); Frederik Strіd (tenor); Lars Johаnsson (bass); St. Jacob’s Chamber Choir; Ensemble Phіlіdor; Günter Thеis (conductor) Missa Sti Hieronymi à 4 Voci (1777) 1. Kyrie 0:00 2. Gloria 3:41 3. Credo 11:45 4. Sanctus 20:47 5. Benedictus 23:05 6. Agnus Dei 26:44 Painting: Unknown artist (19th Century) - Stadtansicht von Salzburg HD image: Further info: Listen free: --- Johann Michael Haydn [Haiden, Haidn, Hajden, Hayden, Heiden, Heyden, Kaydn, Maydn] (Rohrau, 14 September 1737 - Salzburg, 10 August 1806) Austrian composer. Brother of Joseph Haydn (1732-1809), he went to Vienna at the age of eight and entered the choir school at the Stephansdom. About 1753 his voice broke and he was dismissed from the choir school. By 1757 he left Vienna for Grosswardein. His solemn Missa SS Cyrilli et Methodii (1758) was one his earliest and finest works composed there. He was apparently back in the vicinity of Vienna in 1762. It was during this time that he came to the attention of Count Vinzenz Joseph Schrattenbach, the nephew of Sigismund Christoph, Archbishop of Salzburg, who recommended that Haydn be offered a position in Salzburg. From the quantity of Haydn’s music that was copied for performances in eastern Austria during the 1750s and 60s, it would seem that he was quite well known throughout the region. The death of J.E. Eberlin in 1762 led to a reshuffling of the prominent musicians in Salzburg and eventually to Haydn’s appointment as court Konzertmeister. Among his colleagues were Leopold Mozart, A.C. Adlgasser, G.F. Lolli and later W.A. Mozart. On 24 July 1763 some ‘Tafelmusique’ by him was performed, and on 14 August he officially assumed his new position, which involved playing the organ as well as the violin. From then until the death of Archbishop Schrattenbach late in 1771, he mainly wrote dramatic works for the theatre of the Benedictine University; Die Schuldigkeit des ersten Gebots (1767) was the result of a collaboration between Haydn, Adlgasser and the 11-year-old Mozart. On 17 August 1768 he married Maria Magdalena Lipp (1745-1827), a singer in the Hofkapelle and daughter of the court organist, Franz Ignaz Lipp. The couple lived in an apartment owned by the Abbey of St Peter, for which Haydn composed a number of occasional works. The Haydns’ only child, Aloysia Josepha, was born in 1770, but died within a year. Hieronymus, Count Colloredo, was enthroned as Prince-Archbishop in March 1772, and he immediately instituted tighter fiscal controls which greatly restricted the activities of the university theatre. A planned trip to Italy probably never materialized because he was promptly given the position of organist at the Dreifaltigkeitskirche when Adlgasser died suddenly on 22 December 1777. Bitter that the position was not given to his son, Leopold Mozart, who had previously praised his colleague, described Haydn as prone to heavy drinking and laziness. Haydn composed his best-known works between 1771 and 1777: the Requiem (1771) and the Missa S. Hieronymi (1777). In 1782 he assumed the position of court organist. On the 1200th anniversary of the archiepiscopate, in the same year, Colloredo published a pastoral letter, the first of a series of proclamations intended to simplify church services. In response, Haydn composed about 100 settings of Mass Propers in a simple homophonic style. During the 1780s, Haydn completed 20 symphonies. Writing from Vienna in 1784, Mozart expressed his astonishment at how quickly he was able to obtain copies of Michael Haydn’s most recent symphonies. During the 1790s Haydn enjoyed an expanding sphere of influence as a teacher of composition; Anton Diabelli was involved in the publication of many of Haydn’s sacred works by the Viennese publishing firm that later bore his name. Sigismund Neukomm was a pupil of Haydn in the 1790s. The young C.M. von Weber came to Haydn in 1797; and Franz Schubert, though never one of his pupils, visited Haydn’s grave in Salzburg and included words of admiration for him in a letter to his brother Ferdinand. In January 1801 his apartment was plundered by French soldiers, and this was possibly a catalyst for a trip to Vienna. By September 1801 he was again in Vienna rehearsing a mass commissioned by Empress Maria Theresia, who sang a solo part in a performance. He began work on a Requiem (1806), commissioned by the empress, but owing to his declining health he never finished it. Although he expected the coming spring to bring an improvement in his health, it did not; and he died, with friends and students at his bedside, on 10 August 1806.