Cult German Music and a Japanese Sequencer

A look at how the Korg MS-20 and SQ-10 sequencer were an intergral part of the sound of a group of German musicians in the late 70s and early 80s. 0:00 Intro 1:09 Der Mussolini - DAF 5:02 Los Niños Del Parque - Liaisons Dangereuses 8:10 Minimal Tape 3/7.2 - Pyrolator 10:48 Sample Pack 11:38 Outro Jam / Patrons Huge thanks to Brad Holland and my patrons and patreon. The sample pack is available here: Synth settings (these are my estimations, rather than certain): Der Mussolini VCO 1: Pulse wave with PW set to around 10 o’clock VCO 2: Off HPF: Not used LPF: Cutoff at 0 and peak at 2 / EG2 modulation set to 10 EG 2: Hold 0 / Attack 0 / Decay 3 / Sustain 0 / Release 3 Then guitar amping / stereo reverb Los Niños Del Parque VCO 1: Pulse wave with PW set to around 1 o’clock VCO 2: Off HPF: Not used LPF: Cutoff at 0 and peak at 2 / EG2 modulation set to 7.5 / mod set to 8.5 EG 2: Hold 0 / Attack 0 / Decay 1 / Sustain 4 / RElease 3.5 Channel C Sequencer lane to and VCA Initial Gain Then guitar amping / stereo reverb Minimal Tape 3/7.2 VCO 1: Pulse wave with PW set to around 10 o’clock VCO 2: Square wave up an octave VCO 1 level 4 and VCO 2 level 3 (to allow envelope and filter clicks to be heard) HPF: Not used LPF: Cutoff at 0 and peak at 4 / EG modulation set to 8.5 / mod set to 7.5 EG 2: Hold 0 / Attack 0 / Decay 2 / Sustain 0.5 / Release 2 Channel C Sequencer lane to Then a tape echo with minimal feedback at around 30 - 40ms with dry and echo panned left and right respectively