Jean Francaix: Bassoon Concerto (1979)

00:00 - I. Allegro moderato 06:45 - II. Scherzando 12:00 - III. Grave 16:25 - IV. Risoluto _____ Bassoon: Gilbert Audin Conductor: Jean Francaix Orchestra: Orchestre Kovaldy Year of Recording: ??? (1980s/90s) _____ “Composer Jean Françaix wrote in an accessible, attractive style that often led listeners and commentators to ignore the depth and originality present in much of his music. His father was the director of the Le Mans Conservatory. His mother was a teacher and choir director on its staff. He began to study piano when he was four. Before he was ten he had music lessons from Isidor Philipp (piano) and Nadia Boulanger (harmony, counterpoint, composition). He published a composition at the age of ten, Pour Jacqueline, a piano suite dedicated to his baby cousin. In 1930 he won first prize in piano at the Paris Conservatory. Pierre Monteux premiered his Symphony in 1932. In the same year he wrote his Concertino for Piano & Orchestra. The premiere of the work in 1934 made Françaix’s reputation. He quickly came into demand. Ballets Russes de Monte Carlo commissioned a ballet, Scuola di ballo (Dance School), choreographed by Léonide Massine, based on themes of Boccherini. Another ballet, Le Roi nu (The Naked King or The Emperor’s New Clothes), was premiered by the Paris Opera in 1935. He wrote a piano concerto in 1936 and played it on his first American trip, in 1938. He toured often with cellist Maurice Gendron, the Trio Pasquier, and later, with his daughter Claude as a piano duo partner. Françaix was also known for his orchestrations of works by Chopin, Schubert, Chabrier, and Mozart. Poulenc requested that Françaix orchestrate L’histoire de Babar for him. Françaix transcribed many of his own works for the Mainz Wind Ensemble. The light, witty character of Françaix’s music has caused some to dismiss it as frivolous. Others have decried the fact that his style remained static throughout his life. In reality, he had found all he needed and achieved his mature voice immediately. His orchestrations are always clear and sparkling, his forms precise and neo-Classical, his emotions reserved. Françaix had little use for the Romantic esthetic of the composer pouring his inner soul into the music. In this, he was primarily influenced by Ravel. However, he sometimes wrote works of great depth. His masterwork among this sort of composition is L’Apocalypse de St Jean, written in 1939, the year World War II began. The work is mystical, even ecstatic, with plain flowing melodies reminiscent of old chant. It was premiered in 1942 at the Conservatory, conducted by Charles Munch. It was played at a memorial concert for Françaix in Le Mans in 1999, its first French performance since 1951.“ (Allmusic) _____ © COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. Allowance is made for “fair use“ for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.