“To Autumn“ poem by John Keats read by Samuel West~music by Oliver Wakeman

Autumn: The time of the year that Keats called “The Season of mists and mellow fruitfulness“ “To Autumn“ is a poem by English Romantic poet John Keats (31 October 1795 – 23 February 1821). The work was composed on 19 September 1819 and published in 1820 in a volume of Keats’s poetry that included Lamia and The Eve of St. Agnes. “To Autumn“ is the final work in a group of poems known as Keats’s “1819 odes“. Although personal problems left him little time to devote to poetry in 1819, he composed “To Autumn“ after a walk near Winchester one autumnal evening. The work marks the end of his poetic career, as he needed to earn money and could no longer devote himself to the lifestyle of a poet. A little over a year following the publication of “To Autumn“, Keats died in Rome. The poem has three eleven-line stanzas which describe a progression through the season, from the late maturation of the crops to the harvest and to the last days of autumn when winter is nearing. The imagery is richly achieved through the personification of Autumn, and the description of its bounty, its sights and sounds. It has parallels in the work of English landscape artists,[1] with Keats himself describing the fields of stubble that he saw on his walk as being like that in a painting. The work has been interpreted as a meditation on death; as an allegory of artistic creation; as Keats’s response to the Peterloo Massacre, which took place in the same year; and as an expression of nationalist sentiment. One of the most anthologised English lyric poems, “To Autumn“ has been regarded by critics as one of the most perfect short poems in the English language. To Autumn John Keats (1795-1821) Seasons of mists and mellow fruitfulness, Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eves run; To blend with apples the moss’d cottage-trees; And fill all fruit with ripeness to the core; To swell the gourd, and plump the haze shells With sweet kernel; to set budding more , And still more, later flowers for bees, Until they think warm days will never cease, For summer has o’re-brimmed their clammy cells. Who hath not seen thee oft amid thy store? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor, Thy hair soft-lifted by winnowing wind; Or on a half-reap’d furrow sound asleep, Drowsed with the fume of poppies, while thy hook Spares the next swath and all its twined flowers: And sometimes like gleaner thou dost keep Steady thy laden head across a brook; Or by a chider-press, with patient look, Thou watched the lazy oozing, hours by hours. Where are the songs of Spring? Ay, where are they? Think not of them, thou hast thy music too,-- While barred clouds bloom the soft-dying day, And touch the stubble-plains with rosy hue; Then wailful choir the small gnats mourn Amount the river sallows, borne aloft Or sinking as the light winds lives or dies; And full-grown lambs loud bleat from hilly bourn; Hedge-crickets sing; and now with treble soft The redbreast whistles from the garden-croft, And gathering sallows twitter in the skies. ------------------------- Music composed and performed by Oliver Wakeman. @bluedotmusic#bluedotmusic #poemsoftheday #johnkeats #samuelwest #oliverwakeman #toautumn #autumnpoetry #autumnplaylist #poemoftheday Join the Blue Dot Music Experience email:~ bluedotmusic@ ©2014 blue dot music All Worldwide Rights Reserved. Video created for blue dot music by Robert Nichol/Allcast